Size: 36cm x 12cm x 5cm
The cast bronze feature is a unique cast, patinated blue and yellow with the tips of the spikes and edge of the hole polished back to the metal (gold coloured). It sits on a black painted steel sheet, with two layers of rusted steel sheets around it which have been sealed and varnished to prevent further rusting. These are separated by wooden spacers. There is a hole in the centre of the back to hang this piece on a nail or screw, with rubber buffers to raise it off the wall. Bronze care instructions are also affixed to the back.
Suitable for indoor use only, but can be hung in full sun.
Unique sculpture in layered rusted steel with cast bronze centrepiece. Inspired by microscopic images of pollen grains and layering similar to contours on a map. This wall mounted piece has surprising depth created by shadows from the different elements and uses the unusual combination of a polished bronze form with the contrasting colour and texture of rusted sheets of steel.
'Decaying Pollen Small #03' (DPS03) - Mark Butler
My work uses an unusual combination of polished bronze forms with the contrasting colour and texture of rusted sheets of steel, linking a material seen as precious with one which is usually associated with decay.
My influences often have a scientific background, in the amazing forms that can be found in the microscopic world and their unseen influence on our world. This provides an unlimited supply of interesting forms which I use as the basis of my sculptures. I do not attempt to replicate these, only use them as a starting point to develop my work. As a result, the viewer often interprets my sculptures in different ways.
Discovering that I could cast bronze in my back garden opened up a world of opportunities to make beautiful works of art. There is an alchemy in turning everyday objects or hand sculpted forms into a precious metal. In its raw state bronze is not that interesting, but add colour and polish it, and it takes on a new life, highlighting the different textures and shining with an inner glow that no other material can match.
The forms originate as a wax object, which can be worked on in many different states, from pouring as a liquid, modelling like clay, or carving when solid. This allows a myriad of different mark making techniques to be used and the casting process can capture the tiniest detail.
After perfecting the art of bronze casting, I now try to introduce deliberate flaws into some of my moulds, embracing the unexpected and intriguing results these can produce when the molten bronze breaks through. I complete all parts of the process myself, and I take pride in the craftsmanship of a well finished sculpture, as well as its artistic creation.
You can see more of my work at
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